JLANE DESIGN
Cart 0
Deer Bird Damask Pattern

Deer Bird Damask Pattern

Deer Bird Damask Wallcovering printed by Astek Inc. - Featured in the 2014 Bud Light Superbowl Commercial

Deer Bird Damask Wallcovering printed by Astek Inc. for Dita Von Teese's home - Featured in InStyle Magazine, February 2011

Inspired by nature and all things wallpaper, this design was created in 2008. A traditional damask pattern featuring a modern twist with silhouette deers and birds. The intention of this design was for retail and became so much more. This pattern can be seen in Marina del Ray, CA at The Studio (MDR) as well as being featured in InStyle Magazine, Feb 2011, and most recently appearing in the 2014 Bud Light Super Bowl Commercial.

Deer Bird Damask Pattern.jpg
Cherry Blossom Pattern Designed for Woodson and Rummerfield/Christina Aguilera

Cherry Blossom Pattern Designed for Woodson and Rummerfield/Christina Aguilera

Early in my career of surface pattern design, while working at Astek Inc. I had the privilege of working with Woodson and Rummerfield on a pattern design for Christina Aguilera's new home project.  The Cherry Blossom pattern was then printed on a rose gold mylar wall covering.  The wall covering was placed in frames in Christina's new bedroom.  Her home was featured in People Magazine, February 25, 2008  issue.

Cherry Blossom Pattern.jpg
Reproduction of 1960's Floral Pattern for a set to accompany the Video Installation "The Eternal Frame,” created by the San Francisco art collectives Ant Farm and T. R. Uthco. In the survey show "California Video" at the J. Paul Getty Muse…

Reproduction of 1960's Floral Pattern for a set to accompany the Video Installation "The Eternal Frame,” created by the San Francisco art collectives Ant Farm and T. R. Uthco. In the survey show "California Video" at the J. Paul Getty Museum in 2008.

A fantastic learning project for me while I was starting my career in Textile design, was when I got to reproduce an old wall covering pattern from the 1960's, with only a small sliver of the original wall covering.  The small piece I had to work off of was torn and damaged, and very aged. Only small areas of the flowers where still intact, but no complete repeat existed.  The fun part was filling in the missing elements of the nonexistent repeat.  This reproduction went through rounds and rounds of pattern approval  as well as color.  When all was final, it was then printed onto a canvas to give it a bit texture and durability.  

More fascinating things about this installation and how the set came to fruition can be read here in the online New York Times archives.

Getty Floral Pattern.jpg